2010
• Perera, Marga. "La creación femenina, a debate" (Femenine creation under debate). Tendencias del Mercado del Arte (Sp). (July 2010). p. 4-8. In Spanish. (interview contribution)
• Perera, Marga. "Premio Turner, Genialidad o provocación?" (Turner Prize, Genius or provocation?). Tendencias del Mercado del Arte (Sp). (March 2010). p. 36-40. In Spanish. (interview contribution)
2009
• Bartelik, Marek. "Isabel Rocamora. Sala Parpalló". Artforum International (NY). (Mar. 2009), p. 261-262. In English. read review.
• Mateo, Ferrán. "La danza de la liberación" (The dance of liberation). La Vanguardia (Spain). (25 Feb. 2009), Cultura/s Magazine, Pantallas section, p. 28. In Spanish (English translation). read review.
2008
• Mateo, Ferrán. "Gravityless horizons". Por La Danza (Spain). (Summer 2008), p.38-39. In Spanish.
• Perera, Magda. "Coleccionando arte conceptual" (Collecting conceptual art). Tendencias del Mercado del Arte (Spain). (June 2008), 'Videoart and Videoinstallation', p.48. In Spanish.
• Silvestre, Ricard. "Isabel Rocamora. Horitzó d'exili". Bonart (Spain). (Nov. 2008), p.76. In Valencian and Spanish.
• Ulpiano, Rosa. "Isabel Rocamora. Sala Parpalló. Mujeres como íconos de alteridad" (Women as icons of otherness). El Levante (Valencia). (5 Dec. 2008), p.6. In Spanish.
• Tramullas, Gemma. "Female presence in exhibitions. Contemporary art places women at the top of the creative map". El Periódico (Catalonia). (11 May 2008), p. 60. In spanish. read article.
2007
• D' Auria, Veronica. "Le cinque video-giornate di Milano" (The five video days of Milan). Luxflux Arte Contemporanea (Italy). (Luxflux.net Issue 28, 2007). In Italian. read review.
• Jowitt, Deborah. "Images on the move". The Village Voice (NY). (Villagevoice.com, 8 Jan. 2008). In English.
• Finn, Christine. "One of the most exciting new artforms". Guardian Unlimited (U.K). (Guardian.co.uk, 23 Nov. 2007). In English.
• Heap, Michael. "Isabel Rocamora. Horizon of exile". Run-riot. com. (Run-riot.com, 30 Oct. 2007). In English. read review.
2005
• Davison, Catharina. “Residual”. Metro Press, Bristol (U.K). (19 Oct. 2005), p.23.
• Gartside, Mike. “Residual”. Venue Magazine, Bristol (U.K). (14 Oct. 2005), p.79.
• Lowe, Richard. “Tales from the crypt”. Bristol Evening Post (U.K). (15 Oct. 2005).
2001
• Jones, Neil. “Live Art in former church”. Colchester Evening Gazette (U.K). (3 Oct 2001), p.18.
1999
• Booyens, Hannelie. “A feat of flight imagery”. Cue (South Africa). (8 July 1999), p.3.
• Fermín, Alfredo. “Fusión Momentánea” (Momentary Fusion). El Carabobeño (Venezuela). (27 Oct. 1999). In Spanish.
• González Alvarez, Raúl. “Momentary Fusion took all honors at the Festival of the Arts”. El Espectador, Valencia (Venezuela). (30 Oct. 1999). In Spanish.
• Greig, Robert. “Stung in Grahamstown”. The sunday Independent (South Africa). (11 July 1999).
• Gutiérrez, Fanny. “Stung”. Notitarde, Valencia (Venezuela). (28 Oct. 1999), p.7. In Spanish.
• O’Reilly, Sally. “Head for heights”. Evening Standard (Just the job, U.K), p 2-3.
• Rojas, Arnaldo. “Towards an interdisciplinary reading”. El Espectador, Barcelona (Venezuela). (29 Oct. 1999), p.16. In Spanish.
1998
• Lin Ai, Tan. “Get ready to be Stung”. New Straits Times (Malaysia). (13 Aug. 1998), p.4.
• MacNeil, William. “Stung”. The New Mexican (U.S). (3 July 1998), p.B-4.
• Smith, Craig. “Stung is more...”. The New Mexican (U.S). (26 June 1998).
1997
• Anderson, Zoë. “With consummate trapeze”. The Independent on Sunday. (31 Aug. 1997).
• Blanco, Nefertiti. “El ser humano se vuelve el centro del Universo” (The human being becomes the centre of the universe). El Universal, Caracas (Venezuela). (12 Oct. 1997). In Spanish.
• Bowen, Christopher. “Stung, St. Bride’s Centre”. The Scotsman. (22 Aug. 1997), p.9.
• Brennan, Mary. “Stung, St. Bride’s”. The Herald. (18 Aug. 1997).
• Brown, Ismene. “Is it a circus act or is it dance? And does it really matter as long as it’s wonderful?”. The Daily Telegraph (U.K). (6 March 1997), p.23.
• Cardona, Manuela. “Site-specific work, a vital research”. Primafila (Italy). (Autumn 1997).
• Clark, Mike. “Avant-garde artistry”. Lighting Dimensions (N.Y). (April 1997), p.68, 75.
• Dods, Roanne. “Light and motion in thrilling harmony”. Edinburgh Evening News (U.K). (18 Aug. 1997).
• Farley, Theodora. “Stung in all the right places”. Sevenoaks Chronicle (U.K). (13 Feb. 1997).
• Hunter, Alan. “Performers are head over heels for festival”. The Herald (U.K). (14 Aug. 1997).
• Hutera, Donald. “Highly Stung”. Scotland on Sunday (U.K). (10 Aug. 1997).
• Hutera, Donald. “Great Scots!”. Time Out (London). (30 July 1997)
• King, Jane. “Stung. Theatre at its finest”. Morning Star (U.K). (Aug. 29 1997), p.8.
• Levene, Louise. “Stung”. The Independent, (The Eye, U.K). (9 Aug. 1997), p. 41.
• Levene, Louise. “Stung”. The Independent (U.K). (19 Aug. 1997), p.6 Arts.
• Levene, Louise. “High Life”. The Independent, (The Eye, U.K). (1 Nov. 1997).
• Mackrell, Judith. “Stung, St. Bride’s”. The Guardian. (U.K). (16 Aug. 1997)
• Momchilova, Penka. “Stung at the Theatre Festival”. Duma (Bulgaria). (11 June 1997). In Bulgarian.
• Popiliev, Romeo. “Stung”. Cultura (Bulgaria). (13 June 1997). In Bulgarian.
• Post, Paulo.“Stung”. The List (U.K). (11 July 1997), p.43.
• Robertson, Louise. “Thrilled by Stung”. Bracknell Times (U.K). (6 Feb. 1997).
• Rodríguez, Mariveni. “El arte británico se muda a Caracas” (British art moves to Caracas). El Universal (Venezuela). (2 Nov 1997). In Spanish.
• Selsdon, Esther. “Isabel and Sophy”. Evening Standard (U.K). (25 July 1997), P.7.
• Vandov, Nikola. “Sofia Theatre Festival 97”. Zname. (Bulgaria). (13 June 1997). In Bulgarian.
• West, Jeffrey. “Stomp options”. Scotland on Sunday (U.K). (17 Aug. 1997), p.22.
1996
• Booth, Nicholas. “Aerobats with a different kind of net”. The Times (U.K). (22 May 1996).
• Brown, Ismene. “Oddities and otherworldliness”. The Daily Telegraph (U.K). (18 Jan. 1996).
• Cunnington, Mark. “Momentary Fusion, Stung”. Total Theatre (U.K). (Autumn 1996).
• Dawson, Adrian. “High on life”. The Stage (U.K). (20 June 1996).
• Gilbert, Jenny. “Still moments make a gripping drama”. The Independent on Sunday (U.K). (16 June 1996), p.12.
• Firle, John. “Hang on for dear life”. Essex County Council Press (U.K). (15 March 1996).
• Kemp, Tara. “Fusing moments”. Total Theatre (U.K). (Summer 1996), p.14.
• Watson, Keith. “Flying high with a swing and a prayer”. Ham and High (U.K). (7 June 1996), p.27.
1995
• Corsi, Maria Fioretta. “Lo Spessore del Colore”. Lighting Design (Italy). (Oct. 1995), p.56.
• Croft, Simon. “High tension lines”. Staging (U.K). (September 1995).
• Cunnington, Mark. “Momentary Fusion. High Vaultage”. Total Theatre (U.K). (Autumn 1995), p.23.
• Ginammi, Adriana. “Alto Voltaggio” (High Voltage). Gulliver (Italy). (Nov. 1995).
• Nugent, Anne. “High Vaultage”. The Stage (U.K). (24 Aug 1995).
• Stickland, Louise. “High Vaultage”. Live Magazine (U.K). (Aug. 1995), p.32-34.
• Wendler, Gudrun. “Die Reise durch Maranola” (Voyage through Maranola). Die Zeit (Germany). (5 May 1995), p.73.
1994
• Barber, George. “Hanging around”. The Independent Magazine. (20 Aug. 1994). p. 43-44.
Note: Articles are in English unless otherwise stated. Some page references are missing from the records so have not been included.